#familiesbelongtogether

Fred

"They (Maud and Everett) get their water from a well. They keep a trout in the well and call it "Fred"."
Shirley and Lance Woolaver, The Joyful Art of Maud Lewis, Chatelaine, Toronto, ON., Dec 1975.

Judy made the cover of "The Rolling Stone"

Whose Maud?

Whose Maud? Exhibited June 12th - July 28th, 2018
There were many social, physical, and emotional factors that influenced and shaped Maud’s life; an often-unknown fact about Maud was her relation to the Marshalltown Poor Farm, or Alms House. Set back from the highway from Maud’s own home in Marshalltown sat the imposing Alms house. Kenney and Rhude believe that before we can truly comprehend the work of Maud Lewis, we must first understand the relationship between both her life and the space in which she lived and found inspiration, and its influence on rural Nova Scotia's marginalization and socialization of the poor.

“To think that this chapter is merely a footnote in Nova Scotia’s history is to overlook the contemporary social issues ranging from the modern welfare state, to that of captivity, in all its various social guises. The Poor Farm is a modern tale whereby our collective concerns about being, knowing, substance, cause, identity, time, and space, have been housed, but not necessarily cared for or nurtured. It is a metaphysical prison that haunts us today.” – Laura Kenney and Steven Rhude

Thanks!

Opening of Whose Maud? was great..thanks so much to Laurie Dalton, curator and Steven Rhude, painter extraordinaire and to all who came out, really appreciate it!
The show at Acadia University Art Gallery runs till July 28th, gallery hours are 12-4pm, Tuesday-Sunday.

Getting Excited for "Whose Maud?"

This is one of the pieces that will be in "Whose Maud?"
Opening is June 12, 7pm, 2018
Acadia University Art Gallery
Wolfville, NS

"The Maud Squad"

Whose Maud?

WHOSE MAUD? | Laura Kenney & Steven Rhude
Exhibit Opening Tuesday, June 12, 7pm at the Acadia University Art Gallery, in Wolfville, NS
The artists will be in attendance. Light refreshments served.
~~~~~~~~~~~~~~~~~~~~~~~~~~
The exhibition, Whose Maud?, presents the work of rug-hooker Laura Kenney & painter Steven Rhude.
The exhibition takes as its central question: Whose Maud? in that there are many interpretations of Maud as artist, as individual, as folk art icon. The artist & her work have come to symbolize a bucolic rural landscape, but this stands in stark contrast to the harsh realities of her life.
The artists, Kenney and Rhude, by researching, repositioning, & reconsidering, through their own art practice, beg the audience to question, Whose Maud?
Curator: Dr. Laurie Dalton
The exhibit will continue until July 28 at AUAG, in the Beveridge Art Centre (BAC bldg), 10 Highland Avenue, Wolfville, NS
Gallery Hours: Tuesdays–Wednesdays & Sundays: 12–4pm. Closed Mondays. Groups may book free tours outside these times with advance notice.

Image: You're Richer Than You Think (detail), painting by Steven Rhude

Rugs Delivered To Acadia University for Whose Maud?

Why I like Maud.

The first time I saw a Maud..well, ok..it was not a real Maud, was in my Grandmother's basement apartment in Lower Sackville, Nova Scotia. Just as you went in the door..boom!..colour. She had a couple of prints.. and I think a Maud mug. And if they had the magnets, socks and key chains available at that time, she would have had them too. When Christmas or birthdays came around,  'What do you buy Gram? Answer.. something about the Royal Family or something Maud. I wish  I had asked her why she liked Maud...maybe she could relate to her. My Dad said they were so poor at one point he had to steal a chicken from the neighbour so they could eat. Maybe she liked that Maud could make cheerful paintings even though her life was tough.

Why do I like Maud?

Because she had balls.

Maud was a powerhouse. She would paint a crow and outline it with bright yellow or blue. She put beautiful fall coloured leaves on trees in the winter and painted the hills green..she didn't fuss with what things were suppose to look like. She fell in love with a fellow named Emery and had a baby out of wedlock.  She smoked Cameos, she lied about her age and said she had no living family when really her brother was alive and well. She knew that you can have a cranky spouse, health issues and tourists wanting the same oxen and three cats,  but when you sit down and make.. all that goes away. 

She was an underdog. In the world of Folk Art in Nova Scotia, it seems the male carver reigns. Chris Huntington, who was the decision maker of who was in and who was out in the Folk Art world, was before Maud's time. But if he had visited her little house in Marshalltown, I am sure he would have dismissed her as a "housewife painter". It makes me happy to think that Maud is the most well-known Folk Artist in Nova Scotia, maybe Canada. The NS Folk Art Festival continues to this day in lovely Lunenburg... and my hope is the powers that be will widen their view and let some female painters in on the limelight, not just because they are female, but because they are that good and deserve it.

  
It seems everyone has a take on Maud. Politicians, writers, directors .. a hooker, a painter.. a bank..we all have an angle. Just say her name and it gets people talking. All I know is she is ours, she was loved and she found happiness in this world. She wasn't a saint, she wasn't a victim, she, as corny as it sounds, is an inspiration and I am in awe of her everyday.

Flowers for Maud

Maud's Studio

"She wanted what we would call a studio, what writers, following Virgina Wolfe, would call "a room of one's own".
"Maud's trailer would have both heat and light ..the less she had to go into the Maud Lewis House, the better."
Lance Woolaver, The Heart on the Door.

I hook a lot.

I am gathering up rugs for their photo shoot...I hook a lot.😀

You are invited to "Whose Maud?"

https://mailchi.mp/bf449c4d2d4f/whose-maud-exhibition-opening

Sneak peak on upcoming show on Maud..details soming soon!

http://srhude.blogspot.ca/2018/04/mauds-neighbours-and-house-of.html