If you happen to be in Charlottetown, PEI...I'm in a group show at the Confederation Centre Art Gallery. Dec 14-April 13
Curator: Brandt Eisner
Artists: Andrew Quon, Miya Turnbull, Curtis Botham, Laura Kenney, Shauna MacLeod, Lux Gow-Habrich, Monique Silver
https://confederationcentre.com/exhibition/this-seems-personal/
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A few years back Janet Crawford, owner of Fog Forest Gallery in lovely Sackville NB got in touch with me and asked if I would like to be an artist with her gallery. Heck yah, I answered.
Happy to be a part of this group show...40 years in the art business is something to celebrate.
To preview this new exhibition, "40 Years In The Forest" click here.
The festival was a hoot as it always is.
Sold a bunch.
Had cool conversations.
A good time.
xoxox
So many folk artists I admire are here: Maud Lewis, Barry Colpitts and William Roach to name a few.
Order it!
Nice write up by Olinda Casimiro, Executive Director of AGN.
https://www.artgalleryofnorthumberland.ca/exhibition/laura-kenney-judy/
“Subversive Judy” emerges as more than just a character in Laura Kenney’s artistic repertoire; she embodies a rebellion against societal norms and expectations. For over five years, Kenney has woven the tale of Judy, a figure both fantastical and deeply relatable, into her art. Judy is not merely a whimsical creation; she serves as a conduit for Kenney’s voice and a mirror reflecting the desires and frustrations of individuals navigating the constraints of social order.
Dressed in black with vibrant red boots, Judy epitomizes freedom, eschewing traditional domestic duties for moments of carefree abandon. Kenney’s personal connection to Judy is palpable, rooted in memories of her mother’s disdain for ironing, a chore dreaded by many. Through Judy, Kenney explores themes of domesticity, gender roles, labour, and liberation, challenging conventional narratives surrounding female identity.
Kenney’s choice of medium, fiber art, adds layers of significance to her exploration. By utilizing materials traditionally associated with women’s domestic labour, such as cloth, wool, and thread, Kenney pays homage to those who have historically been relegated to the margins of art history. In doing so, she aligns herself with a lineage of artists who have transformed fiber art from a dismissed craft into a powerful tool of resistance.
Through Judy, Kenney breathes life into this subversive spirit, reclaiming the art of fiber work as a means of empowerment and expression in the contemporary landscape.
Olinda Casimiro
Executive Director
The opening was packed!
Big thanks to the Northumberland Rug Hookers. They have a lovely blog and can see more images of the show here.
https://northumberlandrughookers.blogspot.com/
The show is up till April 27th, please drop by if you can.
The Judy show is making its final stop at the Art Gallery of Northumberland in Cobourg ON.
Opening Mar 2
Show on till end of April.
Excited to meet the lovely Northumberland Rug Hookers.
https://northumberlandrughookers.blogspot.com/2024/02/save-date-laura-kenney-at-agn.html?spref=fb
Thankful to have “Maud Lewis, Always Happy” included in Matthew Ryan Smith’s article Vernacular Art, The Everyday Monumental in Border Crossings Magazine.
